"Peter Bussigel’s Transmongolia for [objects] and video consisted of the composer himself busily creating a throng of looped sounds with everything from a Rubik’s Cube to magnets on metal beside a continuous hi-res shot of neon green Mongolian countryside taken from a train. Accepting the world of sound Bussigel set about creating was not easy, but the brain both clenched at the noise and longed for it after the fact."
Elias Blumm, i care if you listen
Transmongolia is a old/new video/live performance made from footage taken out the window of a train while traveling on the Trans-Mongolian railroad from Beijing to St. Petersburg in 2007.
Everyday Maths by Liat Berdugo was just published by Anomolous Press... in the audiobook version, I can be heard translating the drawn figures into vocal figurings.
Live set, 3.2013
Looking forward to playing with Hotel Elefant in NY this Thursday, March 15h. Details.
Bumpr (PB, SM, CP, TR) is performing a set on Feb 2nd at Studio Soto
The Remains of Something Whole from Megan and Murray McMillan Words by Rachel Jendrzejewski Music by Peter Bussigel
BUMPR show at AS220 in Providence tomorrow (BUMPR=Stephan Moore, Caroline Park, Tim Rovinelli and me), with Ted Hearne + Philip White and Evidence.
18 overdubs performed on a broken accordion. Summer 2011
fig. 1
I recomposed some music for Leslie Thronton's new film series "Binoculars". Look for it at film festivals... they are beautiful experiments.
Exit - eight channel surround sound piece
simple, integratable, monophonic sequencer built in Max/MSP.
cut experiments / cut performance score: Film yourself making sounds... refigure the performance using only cuts. more video experiments
ensemble zellig premiered loglo for flute, bass clarinet, cello, piano and robot on october 30th.
Ensemble Zellig will premiere a new chamber piece "loglo" in Grant Concert Hall on October 30th.
Adding Machine is a simple delay system, built in Max/MSP.
It captures the input of a microphone and continuously loops the stream at prescribed intervals. All input is repeated, timbrally unaltered, and sent to either two or four distinct speakers. The machine can be set to automate the switching and fading of delay banks by stepping through predetermined ‘scenes’, allowing a performer to create different and dynamic forms and textures.
